Non-uniform time-scaling of Carnatic music transients

نویسندگان

  • Venkata Subramanian Viraraghavan
  • Arpan Pal
  • Rangarajan Aravind
  • Hema A. Murthy
چکیده

Gamakas are an integral aspect of Carnatic Music, a form of classical music prevalent in South India. They are used in rāgas, which may be seen as melodic scales and/or a set of characteristic melodic phrases. Gamakas exhibit continuous pitch variation often spanning several semitones. In this paper, we study how gamakas scale with tempo and propose a novel approach to change the tempo of Carnatic music pieces. The music signal is viewed as consisting of constant-pitch segments and transients. The transients show continuous pitch variation and we consider their analyses from a theoretical stand-point. We next observe the non-uniform ratios of time-scaling of constantpitch segments, transients and silence in excerpts from nine concert renditions of varn. ams in six rāgas. The results indicate that the changing tempo of Carnatic music does not change the duration of transients significantly. We report listening tests on our algorithm to slow down Carnatic music that is consistent with this observation.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

A Statistical Analysis of Gamakas in Carnatic Music

Carnatic Music, a form of classical music prevalent in South India, has a central concept called rāgas, defined as melodic scales and/or a set of characteristic melodic phrases. These definitions also account for the continuous pitch movement in gamakas and micro-tonal adjustments to pitch values. In this paper, we present several statistics of gamakas to arrive at a model of Carnatic music. We...

متن کامل

Intonation analysis of ragas in Carnatic music

Intonation is a fundamental music concept that has a special relevance in Indian art music. It is characteristic of a raga and key to the musical expression of the artist. Describing intonation is of importance to several music information retrieval tasks such as developing similarity measures based on ragas and artists. In this paper, we first assess raga intonation qualitatively by analysing ...

متن کامل

Vocal and Instrumental Renderings in Carnatic Music - a Comparison

Carnatic music, the classical music of South India, is rich in melodic and devotional content. Vocal renderings effectively convey the devotional aspect, and a variety of instruments enhance the melodic effect of the vocal renderings. After briefly tracing the origins and early development of Carnatic music, we will describe vocal and instrumental renderings and provide a comparison. We also al...

متن کامل

Carnatic Ragas as Music Information Retrieval Entities

Carnatic music is the ‘art’ music of the four southern States of India (Andhra Pradesh, Karnataka, Kerala and Tamilnadu). One difference between Carnatic music and the better-known Hindusthani music of North India is its embeddedness in a religious-philosophical context. This context crucially determines the objects of knowledge organization and the indigenous theory of musical affect. The auth...

متن کامل

A Unified System for Analysis and Representation of Indian Classical Music Using Humdrum Syntax

Chordia proposed a new system for the analysis and representation of bandiṣes (bandishes) and gaṭs (gats) in Hindustani music using humdrum syntax (Frontiers of Research in Speech andMusic Conference, 2007). In this paper, we extend the capabilities of this system to encode Carnatic music and propose a unified system for Indian classical music. It enables us to systematically encode Carnatic mu...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:
  • CoRR

دوره abs/1711.02318  شماره 

صفحات  -

تاریخ انتشار 2017